— fiction-mystery-crime —

Crocodile on the Sandbank
Elizabeth Peters
— 1975 —
“
Victorian Egyptologist Amelia Peabody (proto-feminist, magnificently self-confident, armed with a parasol) investigates what seems to be a living mummy at an archaeological site.
⚖The case for it
Victorian Egyptologist Amelia Peabody (proto-feminist, magnificently self-confident, armed with a parasol) investigates what seems to be a living mummy at an archaeological site. Peters' Peabody series combines genuine Egyptological expertise with comedy, romance, and mystery. A joyful antidote to noir grimness.
— the canon
✕The case against
The mystery is the thinnest thing on the dig: you will solve it chapters before Amelia does, somewhere between rounds of banter. Emerson is introduced mid-argument, and anyone who has ever read a book knows they will be engaged by the end. For all Amelia's parasol-first feminism, the Egyptians in her Egypt are porters and picturesque backdrop; the empire holds the camera. Comfort food, expertly seasoned.
— the honest librarian
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